Horse with Jockey; Horse Galloping, Turning Head to the Right, Feet Not Touching the GroundArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (two women fighting, with onlookers)ArtInstituteChicago · artic.edu Visit Source
Vertical Lines Not Touching (Black), from Conspiracy, The Artist as WitnessArtInstituteChicago · artic.edu Visit Source
M-246 Semi Automatic Weapon, Khawr Al Amaya Oil Terminal, IraqArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (dancer reclining on bed, with cat)ArtInstituteChicago · artic.edu Visit Source
29 Palms: Security and Stabilization Operations, Graffiti IArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (dancing woman with circle of onlookers)ArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (women ironing, man seated before a woodstove)ArtInstituteChicago · artic.edu Visit Source
Untitled (Ho Chi Minh City), from the series "Viêt Nam," edition 10/10ArtInstituteChicago · artic.edu Visit Source
Study for Aspects of Negro Life: The Negro in an African SettingArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (standing couple, with other figures in background)ArtInstituteChicago · artic.edu Visit Source
Plate from l'Assommoir (man proposing a toast at table with five other people)ArtInstituteChicago · artic.edu Visit Source
Untitled (Ba Vi), from the series "Viêt Nam," edition 4/10ArtInstituteChicago · artic.edu Visit Source
29 Palms: Security and Stabilization Operations, George Air Force BaseArtInstituteChicago · artic.edu Visit Source
